Sunday, March 16, 2014

Obliteration - Black Death Horizon [2013]

Such an excessive portion of today's insurgent death metal spectrum seems to be frugal in the manner of originality, and hotheadedly persistent in sticking to much to the rules passed out by their monstrous descendants during the late 80's and early 90's that it's almost a chore to weed through the metric ton of releases and find something actually worthwhile. All told, as member of this beleaguered metal scene. And yet, does this mean that there have been absolutely no death metal masterpieces during the last decade or so? One would think so, after so much disregard of the aesthetic preferences of current acts have been held in consideration, but the subsequent appendages of bands like Necrovation, Repugnant, Horrendous, Morbus Chron and similar harbingers of death have been such malign and entertaining pastiches of old school fervor and tenacity that the banalities of the majority can easily be neglected. After all, while the genre is still being gradually carried forward by a group visionary bands, there is another, far more putrescent grouping in the underground that thrives on the love for the old school, and just the old school, being simultaneously awesome whilst doing so.

Hence, even with their squamous sophomore ''Nekropsalms'', Norway's Obliteration was not the most proficient contender to this particular end of death metal, though I have to say I did quite enjoy the buttery, gruesome death/doom palette that it so willfully flirted with. Some four years later, the Norse return with their most convincing anomaly yet; a putrid mass of slithering, unbridled murk straight from the pits of the nether: ''Black Death Horizon''. As a record whose name actually exemplifies the characteristic blend of early Autopsy, raw punk, Morbid Angel and early Death in it, ''Black Death Horizon'' is an excellent fucking trip down the quivering, cadaverous gateways of death metal, like some nostalgia trip with a little bit of everything. Let's just get something straight: this album is hands down one of the most morbidly attractive records in death metal I've heard in a good fucking while, and not solely in its pernicious mix of influences, but as an addictive piece of sensational ghastliness... 

Everything in this record from its writhing, whammy-impregnated leads flying about to the searing range of unabashed tremolos to its Autopsy-esque death/doom gruesomeness is stark and evil, even majestic at certain points. My initial fondness for the record grew with a passion for the necromantic vocals. Imagine a random punk frontman singing over the wretched, pestilent inflection of Chuck Schuldiner or Martin Van Drunnen; and I even caught a tad of Robert Andersson of Morbus Chron in there. Of course, the ominous presence of the guitars make themselves abundantly clear to the awestruck listener's trembling ear. The guitars may be meaty and murky, the bass belching like the baritone of an incarcerated demon; but despite the seamless d-beat drumming and vile vocal ranging, the Norse sustain a gorgeously demoniac clarity in the production, so the listener is never really thrown into a pointless, meandering wall of sound. Indeed, the attributions of some of the riffs aren't as sharp hooks as some others like the serpentine tremolos leading ''Goat Skull Crown'', especially when the band vies for more straightforward black/death foray in the vein of Darkthrone (as on ''Transient Passage'') but with so much bloody material compressed into a delicious pulp, the listener is only seldom reminded of such deficiencies. The melodies as on ''The Distant Sun'' or ''Ascendance'' are superb, twisted whirlpools of bile and vitriol, with an obstinate sense of adherence to much of the projections that were present on the band's sophomore, and yet the band still keeps things interesting by constantly shifting between tempos and riffs. There is always a steady, building level of tension that feels as though it'll blow the pulp up to crimson pieces of volcanic shrapnel that simply doesn't dissipate until the last moment, even on the gloomy, liquescent ''Churning Magma''...

Thus, with all its aspects, ''Black Death Horizon'' lives up to its name with utmost potential and torturous adroitness, like the product of some blissful witchery by the misty peak of the sulfuric promontory of the excellent, excellent cover. By the time this record had run its course, I found myself bathed in blood and all the other gnarly ingredients these primordial sorcerers bestirred. Sure, ''Black Death Horizon'' does have its dull moments from time to time, as I felt some of the longer tracks like ''Transient Passage'' - though still crammed to the tits of with feculent goodness - and the title track dragged about a little too long than I might have preferred, and there too were certain sequences where I thought they were recycling some of the previous guitar work with scarcely a change in drum patterns, but the overall output of the record, as displayed with such tunes as ''Sepulchral Rites'' and ''Goat Skull Crown'' makes for some of the most disgustingly appealing death metal products of 2013. So rarely do retro death metal bands actually feel motivated about their cause of purveying evil and asphyxiating entire throngs with pyroclastic mounds of dirt that this album felt like one of the most thoroughly enjoyable discs of the year. You're not feeling it until you're caked with muck. 

Goat Skull Crown
Sepulchral Rites
Transient Passage

Rating: 88%

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