Showing posts with label Arthalos. Show all posts
Showing posts with label Arthalos. Show all posts

Sunday, December 29, 2024

Arthalos' Best of 2024

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2024 proved, if anything, that there's still wild fucking fun to be had in the metal sphere, and that Covid-19 clearly didn't eliminate the worldwide hunger for the genre. In our world of Spotify wrapped, bogus, overproduced pop and hip-hop, and now an increasing craze to drive AI into the domain of music, it gives me joy - nay, peace of mind - to labor through hours and hours upon of random underground music, discovering the albums that will be the soundtracks to my life for the next few months, even years. Whether the casualization of music will truly bode ill for the future remains to be seen, but until then, and probably even after the worst of technological advancements have befallen us, I'll remain committed to exposing my ears to heavy and experimental music. Till the end of my days. With all that sappiness taken care of, let's get to it. As always, my 50 favorite listens can be found with commentary on RYM.

Much of my usual suspects run though this list, as 2024 was a year where the conjurations of heavy and power metal were particularly puissant. There's a demographic range here, from highly young acts like Horndal, Iotunn, and Kanonenfieber to relatively established underground groups like Blood Incantion, Madder Mortem, and Tribulation to absolute oldies like Priest, Warlord, Riot V and their ilk. So the classic heavy metal front was clearly a strong pillar here. Other old, but much less known acts like Mork Gryning and Scavenger brought the heat with records sneaked up on me with dangerous cunning, and I was more than content with what I heard. There are tasty chunks of progressive and prog-adjacent metal to be had, from the hugely anticipated Opeth to Ihsahn's scintillating self-titled orchestral ode, to Hungary's finest metal export, Thy Catafalque with what's probably his best work outside of Róka Hasa Rádió (2009). Opeth, perhaps to nobody's surprise, absolutely crushed it, even bringing a few Jethro Tull flute solos along the way. The Blood Incantation record belongs to that vein as well, and it was also one of those records that deserved all the praise it got, marrying 70s progressive a la Emerson, Lake and Palmer to old school death metal in an unthinkable move. Other great records like Kinship and Head Hammer Man also held their own.

Outside the progressive domain, which seems to be increasingly a fundamental part of my auditory fix, there were some great, fiendish black metal excursions like the new Hail Spirit NoirMörk Gryning and Kvaen who exploited the bounds of the genre I know and love for its sheer malleability. Vast, tumultuous vistas of malice and introspection. Oranssi Pazuzu, one of my favorite younger black metal bands, went full techno / drum and bass with Muuntautuja. They barely broke a sweat while doing so, and unnerved me to my core. The new Ministry was also a welcome surprise; it kept me grooving and dancing in between many a workout set. In the end, though, despite its beautiful exploration of themes such as loss and control, Old Eyes, New Heart is only my second favorite album of the year. Not only that, but it rivals the masterful Desiderata (2006) in sheer quality, an album which I consider a milestone in the gothic/progressive niche. It stymied and moved me through almost every song and refused to drop from my rotation. But the cake goes to the latest by Crypt Sermon, the best album so far from a band that almost forcibly converted me into being a doom goon. There wasn't a song there that didn't connect, and whenever they did, I found myself at a loss at its sheer fluidity, heft and atmosphere. Truly ceremonial music for the 2020s, harkening to its 80s epic doom origins, but angrier, more deranged, just like the world that birthed it. 

Links to the songs embedded below.

Thanks for reading, and see you all next year. 



*Top 25 Metal Albums of 2024*



You can find a more comprehensive list with short review blurbs that I've written for my top 50 albums over at RateYourMusic. Link to that list over HERE.  


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~ Top 10 Books I've Read in 2024 ~

10. The Invention of Prehistory: Empire, Violence, and Our Obsession with Human Nature − Stefanos Geroulanos
09. Fire Weather: A True Story from a Hotter World − John Vaillant 
08. Less Than Zero − Brett Easton Ellis
07. Cobalt Red: How the Blood of Congo Powers Our Lives − Siddharth Kara
06. New Dark Age: Technology and the End of the Future − James Bridle
05. End Times: Elites, Counter-Elites, and the Path to Political Disintegration − Peter Turchin
04. The Deluge: The Great War, America and the Remaking of the Global Order, 1916-1931 − Adam Tooze
03. Making the Arab World: Nasser, Qutb, and the Clash That Shaped the Middle East − Fawaz Gerges
02. Family Values: Between Neoliberalism and the New Social Conservatism − Melinda Cooper
01. The Looming Tower: Al-Qaeda and the Road to 9/11 − Lawrence Wright 


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Monday, July 15, 2024

Arthalos' Best of 2008


20. Falchion – Chronicles of the Dead
19. Stormlord – Mare Nostrum
18. Spite Extreme Wing – Vltra
17. Valient Thorr – Immortalizer
16. Archons – Consequences of Silence 
15. Cynic – Traced in Air
14. Opeth – Watershed
13. The Monolith Deathcult – Trivmvirate 
12. Leviathan – Massive Conspiracy Against All Life
11. Darkthrone – Dark Thrones and Black Flags
10. Amon Amarth – Twilight of the Thunder God
09. In Flames – A Sense of Purpose
08. The Faceless – Planetary Duality
07. Firewind – The Premonition
06. Septic Flesh – Communion
05. Enslaved – Vertebrae
04. Falconer – Amongst Beggars and Thieves
03. Pharaoh – Be Gone
02. Protest the Hero – Fortress
01. Gojira – The Way of All Flesh





Sunday, December 31, 2023

Arthalos' Best of 2023


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This was another year loaded with quality releases, so much so that, like last year, I had to push back some extremely good records and had to picky extra picky in choosing a top 23. For context, I'd rate everything below an 8.5/10 or above. As always, the most important predictor of a high rating is how likely I would re-listen a given album, and how much much I would enjoy it months after I first spun it. Albums released in winter have a bit of disadvantage given that 'time' element, which is why I periodically reassess my rankings and reorder where necessary. The diversity of genres is on point, I even surprised myself for having included so much underground black/death variety, since this niche is typically overcrowded with cavern-mongering copycats lacking inspiration. Yet it was impossible to disavow the efforts of Wyrgher, Vertebra Atlantis, and Valdrin, who showed once again that smaller, underground labels that easily oust the more established mainstream companies in quality and quantity. 

There was a lot of heresay about 2023 being 'the year of death metal', and though it was definitely a stalwart year for veterans joining back into the foray, I found more enjoyment in the backlog of black metal I listened to. My top 50 has a more comprehensive list of everything I enjoyed in that realm in case you were wondering where all the black metal was at. For sure, my tastes veer more towards the unorthodox and innovative, so it's almost a given that bands like Kvelertak, Dødheimsgard, Enslaved and Malorkarpatan ended up where they did. Insane performances all, the Dødheimsgard disc especially mesmerized me every time I spun it. An elegiac, mind-bending ode to absurdism. 

There are also a couple of 'outliers' like the new In Flames and Voyager, records that seem to fit awkwardly between the grim, subterranean subtext engulfing them. As with previous years, I do not give a damn, these records were on repeat until my ears bled dry this year, and they've earned their spot for having some annoyingly catchy songs. Go figure. Finally, although there's a relatively equitable distribution of genres, it would have been nice to see some more standout tech death this year. My craving for noodling guitars and clinical breakdowns that thankfully satisfied by Gorod with one of their strongest outings to date, although Suffocation and Afterbirth (on my top 50 list) also did well. Other popular albums from this space, like the new Nithing or Nightmarer were either mediocre or poorly executed. 

Links to the albums are below, as well as other random lists I've accrued over the year. 



* Top 23 Metal Albums of 2023* 






You can find a more comprehensive list with short review blurbs that I've written for my top 50 albums over at RateYourMusic. Link to that list over HERE.  



Top Gym Tunes of 2023 (In No Order) ~

2023 was a year of many good albums, but also of many good lifts. 

Coldly Calculated Design − The Faceless (US)
The Grand Conjuration − Opeth (Se)
Somewhere I Sadly Belong − Subterranean Masquerade (Il)
The Secrets of the American Gods − Blind Guardian (De)
We Are the Sun Gods − Gorod (Fr)
Wheels of Fire − Anthem (Jp)
Unleashing the Bloodthirsty − Cannibal Corpse (US)
Motsols − Kvelertak (Nr)
Back to Times of Splendor − Disillusion (De)
The Widow Maker − Carpenter Brut (US)
Fallow Season − Madder Mortem (Nr)


~ Top 10 Books I've Read in 2023 ~


10. Nomadland − Jessica Bruder 
09. Burning the Books − Richard Ovenden
08. The Fall of Yugoslavia − Misha Glenny 
07. Alexander the Great − Norman F. Cantor
06. Why We Sleep − Matthew Walker
05. The Pursuit of Italy − David Gilmour 
04. Snow Crash − Neal Stephenson 
03. Crack-Up Capitalism − Quinn Slobodian 
02. Empire of Pain: The Secret History of the Sackler Dynasty − Patrick Radden Keefe
01. Not Enough: Human Rights in an Unequal World − Samuel Moyn 


Friday, December 30, 2022

Arthalos' Best of 2022

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Another fantastic year, 2022 was where all the unreleased potential from 2021 and 2020 spilled over. Normally, I find it difficult to fill in the last half/quarter of my top 20 lists, not because I don't enjoy those later entries, but rather that I find there is a large removal between the first half and the second in terms of quality. This was certainly not the case this year, and I realized I had such a large bastion of records that the list go up by 30-40 entries. Nonetheless, you can find those non-hierarchically ordered entities in my RYM list alongside short review blurbs. 

Like most of these yearly pickings, it's difficult to find a grand, overarching theme: it's safer to say there was smorgasbord of quality albums from the usual genre suspects... lots of traditional heavy/power, melodic death, some avantgarde/experimental stuff, a small league of varied black metal, and some miscellany. Bands like Shape of Despair, Cult of Luna and Final Light produced some impressive atmospheric material, regardless of whether they evoked a sense dread or majesty, all these bands transported the listener into a plateau ethereal immersion. Cult of Luna, in particular, astonished me so much by raising the bar again after A Dawn to Fear in 2019 that I think it's evident they've become the true inheritors to the Neurosis sound, going above and beyond. 

Sumerlands, Spell and Hell Fire came in guns blazing with trad-heavy, ancient-sounding paeans to 80s metal, inspired by, without mindless recycling riffs. Even Ghost released their most accessible record to date which was somewhat reviled by critics, though personally I enjoyed the shit out of it. More than ever, I'm now ready to pay for one of their extravagant shows. There are also a few records I avoided for a while on account of the hype they were getting across the internet - Cave In and Messa in particular. Upon returning to these albums later on in the year, however, it was evident that they fucking slayed, and between the groovy sludge panache of the former and the morose, oriental charm of the latter there is plenty of inspiration to be found for future sludge/doom practitioners. Immolation, conversely put out the greatest pure death metal album of the year, validated across countless review boards and forums. An impeccable fortress of profanity that should make about 95% of other OSDM outfits wet their pants in terror. The one outlier here is clearly the Final Light debut, an album that caught much less attention than it deserved, which is a shame. It remains a hypnotizing testament to inventiveness across electronic and metal music. 

But nothing could have prepared me for Blind Guardian's masterwork, a record so shocking in how hungry and crushing it was I might consider it the second best album in their sprawling discography. I'd only tie it with Disillusion's Ayam, a record that, as the product of planetary alignment in some oceanborne galaxy, provided me with warmth, comfort, and dreams for days in an otherwise uncompromising universe. Soilwork and Voivod trailed just behind with their most proficient meditations in many years, one melodic and achingly beautiful, the other a challenging remedial pill for our postmodern, cybernetic age. Records I caught myself blasting in the shower over a dozen times. 

As always, thank you for reading. See you all in 2023.

Links to the albums embedded below.



*Top 20 Metal Albums*






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I also write short blurbs for all the albums I enjoyed yearly on RateYourMusic. Link to the full, non-hierarchical list of my 50 favorite metal albums of the year here.


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Non-metal Albums I've Enjoyed

In no particular order. These records just represent the few samplings I managed to listen in my down time, when I needed something... less heavy. Mostly records by bands I've been following for a while, so it's in no way meant to be comprehensive. 




Thursday, October 20, 2022

Best Metal Albums of 2003

20. TIE Trauma  Imperfect Like a God | Nasum – Helvete
19. Sargeist – Satanic Black Devotion
18. Septic Flesh – Sumerian Daemons 
17. Green Carnation – A Blessing in Disguise 
16. Killing Joke – Killing Joke
15. Children of Bodom – Hate Crew Deathroll 
14. Intestine Baalism – Banquet in the Darkness
13. Carpathian Forest  Defending the Throne of Evil
12. Katatonia – Viva Emptiness
11. Soilwork – Figure Number Five
10. Rage – Soundchaser 
09. Hammers of Misfortune – The August Engine
08. Dream Theater – Train of Thought
07. Atrophia Red Sun – Twisted Logic
06. Unmoored  Indefinite Soul-Extension
05. Opeth  Damnation
04. Moonsorrow – Kivenkantaja
03. Enslaved – Below the Lights
02. Slough Feg  Traveller
01. Mörk Gryning  Pieces of Primal Expressionism 


Sunday, July 3, 2022

Best Metal Albums of 2013


(Updated 2024)

20. Cult of Luna – Vertikal
19. Neige Éternelle – Neige Éternelle
18. Oranssi Pazuzu – Valonielu 
17. Witherscape – The Inheritance
16. Gris – À l'Âme Enflammée, l'Äme Constellée...
15. Autolatry – Native
14. Mouth of the Architect – Dawning
13. Gorguts – Colored Sands
12. Sulphur Aeon – Swallowed by the Ocean's Tide
11. The Dillinger Escape Plan – One of Us is the Killer
10. Attacker – Giants of Canaan
09. Iron Dogs – Free and Wild
08. Helloween – Straight Out of Hell
07. The Safety Fire – Mouth of Swords
06. The Ocean – Pelagial 
05. Warlord – The Holy Empire
04. Protest the Hero – Volition
03. Summoning – Old Mornings Dawn
02. Satan – Life Sentence
01. In Solitude – Sister



Friday, January 4, 2019

The Cream of the Crop: Arthalos Picks His Best of 2018




Top 25 Albums of 2018****

25) Ghost (Se) - Prequelle 
24) Horrendous (US) - Idol
23) Sulphur Aeon (De) - The Scythe of Cosmic Chaos
22) Stam1na (Fin)- Taival
21) Judas Priest (UK) - Firepower
20) Lucifer (Int) - Lucifer II
19) Khemmis (US) - Desolation
18) King Witch (UK) - Under the Mountain
17) Primordial (Ir) - Exile Among the Ruins
16) Graveyard (Se) - Peace
15) Satan (UK) - Cruel Magic 
14) Ungfell (CH) - Mythen, Mären, Pestilenz
13) Kontinuum (Is) - No Need to Reason 
12) Dee Snider (US) - For the Love of Metal
11) Haken (UK) - Vector
10) Sigh (Jp) - Heir to Despair
09) Uriah Heep (UK) - Living the Dream
08) Ihsahn (Nr) - Àmr
07) Saxon (UK) - Thunderbolt
06) Voivod (Ca) - The Wake
05) Rising (Dn) - Sword and Scythe
04) The Night Flight Orchestra (Se) - Sometimes the World Ain't Enough
03) Madder Mortem (Nr) - Marrow
02) UDO (De) - Steelfactory 
01) Amorphis (Fin) - Queen of Time

YouTube links to sample songs have been embedded above.

Honorable mentions

Wytch Hazel - II: Soujourn
Angra - OMNI
Bane - Esoteric Formulae
Gorod - Aethra 
Summoning - With Doom We Come
Usurpress - Interregnum
Necrophobic - Mark of the Necrogram 
Striker - Play to Win
Witherfall - A Prelude to Sorrow


This was an insanely prolific year for aged veterans, especially those coming from the British Isles, whether it's triumphant continuations of their already amazing compendium of 21st century releases from bands like Saxon and Satan, or just straight up shockers from Uriah Heep and Judas Priest... it's almost as if the entire cadre of geriatric rockers decided to make a few last statements before calling it quits (even long timers like Heir Apparent and Fifth Angel made notable, if not particularly great, comebacks). At any rate, these records are all fantastic additions to some of the most legendary discographies in all of heavy metal, and serve as a surefire kick on the face for all the countless agglomerations of oafish retro stuff that's being churned out ad nauseaum by newer generations. But the veteran aesthetic is prominent across plenty of genres here, with melodic death, black metal and progressive metal variants generating all sorts of lofty impressions thanks to Ihsahn, Voivod, Madder Mortem, Sigh, Behemoth, and Amorphis. The Behemoth record might be questionable choice for two reasons: firstly because the band fails to explore any uncharted territory as they did with their groundbreaking 2014 opus The Satanist, and secondly because it feels like a B-side to its predecessor at times. Yet despite the controversy surrounding it, it was a well-balanced and fabulously produced record with a good few tunes that will definitely stand the test of time.

At the same time, there is disconcerting side to this list in the relative absence of any 'new' bands; in fact there are probably around 5-6 bands here which I would or have not included in any of my yearly lists at any point in time. This isn't all bad, though, and I was greatly elated by further solid outings by some of my favorite 'newsprint' acts, like Ghost, Sulphur Aeon, Khemmis, Haken and, most notably, Horrendous, who at this point have cracked the formula of penning compelling, melody-driven old school, splatter-thrash-induced death metal that channels anything from Finland's Sentenced to early Death. Beyond these, I was pleased that a list largely bearing the odor of classic heavy, power and progressive stuff could incorporate some genuinely resolute, unbridled evil and despair towards the tail end, and indeed there was also had a metric ton of archaic and mesmerizing death metal to boot, even if these weren't the crème de la crème as far as the entire glut is concerned.

2021 Update: Added the Dee Snider album, pushed back the Golgotha record. 

2023 Update: Added the Ungfell and Primordial records, pushed back Evoken and Behemoth. 

Tuesday, January 5, 2016

The Cream of the Crop: Arthalos Picks His Best of 2015


Overall I felt this was quite a strong terms of both quality and quantity across all genres of metal, but that has always been the case so I doubt 2015 surpassed annual mean scores by a great deal. In another sort of Murphy's Rule for yearly releases, the bulk of the quality was concentrated in the first and last couple of months, at least for me, and the pool of better releases in between was spread out a little more thinly. Still, that may also have to do with the fact that much of my own lack of research during these months was due to a combination of slight disinterest in and reluctance to pick up newer recordings at the time, which I managed to rectify somewhat by the end of the year. In terms of reviews I did start strong but my writing dwindled as lots of real life issues started filtering in, and unfortunately I had to conclude the year on a low-ish note in terms of reviews. Towards the end of the year I pushed to listen to as many new albums as possible, thus molding the current shape of my lists, but of course a good deal of albums went below my radars. I hope to make up as much as I can for those in the initial months of 2016.

Nonetheless, there was an excellent scree of releases all around, with France and Norway sticking out more than usual, beyond the usual suspects like USA and Sweden. France may not have made the top 20 cut, but it produced metric tons of great, caustic black and death metal in its national brew, fitting selections at a time when Deathspell Omega have remained idle for a good long while (seriously, new album better be in the work, guys). And Norway just trumped with an unprecedented triplet of gold from its three avantgarde mavericks Solefald, Arcturus and Dodheimsgard (though the latter did not make the cut) who assuredly produced enduring masterpieces to enrich the legacy of their discographies. But of course the Enslaved album, being more 'black metal' than its gonzo counterparts, perhaps one of the safer records they've done in the last decade, is also fantastic. 2015 is perhaps most surprising considering the wealth of releases that either belong to long-time masters (Sigh, Raven, Motorhead, Saxon, Solefald, Angra, Satan, Killing Joke, Enslaved, Arcturus, even Iron Maiden, etc.) or newer entrants and banner-carriers who had already won my heart from a few years hence (Horrendous, Sulphur Aeon, Tribulation, etc.).

As always, I avoided or just downright disliked many of these uber-hyped mainstream metal records, not to mention the mass of stoner/sludge material promulgated by media-friendly review sites and communities. But downsizing that pool in its entirety is also risky, as several of the year's best turned out to be some of the most 'overrated', like the Ghost or Enslaved records.

I have also compiled an extensive list of my 100 favorite releases, in non-hierarchical order, so as to provide a little more mileage on the density of worthwhile recordings for the year. You can take a look here

YouTube links have been embedded in the lists below.

Edit: After numerous listens the new Leprous record has earned my heart's fondness with exponentially high returns, hence acquiring a spot in the top 10. Pushed back the Katavasia album and replaced the Enforcer album with the new Nechochwen record.

Edit April 2022/January 2024: Extended the list to 25, added a few new entries, did some rearranging. The top 5 is pretty much interchangeable, all equally fantastic. Added A Maze of Recycled Creeds, pushed back Sulphur Aeon. Moved a few albums around in the 15-25 range. List looks pretty solid overall, extremely solid year. 


Top 25 Metal Albums of 2015 ****

25) Lychgate - An Antidote for the Glass Pill (Blood Music)
24) Sadist - Hyaena (Scarlet Records)
23) Nechochwen - Heart of Akamon (Bindrune Recordings)
22) A Forest of Stars - Beware the Sword You Cannot See (Lupus Lounge)
21) Horrendous - Anareta (Dark Descent Records)
20) Leviathan - Scar Sighted (Profound Lore)
19) Trial - Vessel (High Roller Records)
18) Kontinuum - Kyrr (Candlelight Records)
17) Year of the Goat - The Unspeakable (Napalm Records)
16) Batushka - Litourgiya (Witching Hour Productions)
15) Black Trip - Shadowline (Steamhammer)
14) Satan - Atom by Atom (Listenable Records)
13) Killing Joke - Pylon (Spinefarm Records)
12) Gorod - A Maze of Recycled Creeds (Listenable Records)
11) Barren Earth - On Lonely Towers (Century Media)
10) Enforcer - From Beyond (Metal Blade)
09) Soilwork - The Ride Majestic (Nuclear Blast Records)
08) Crypt Sermon - Out of the Garden (Dark Descent Records)
07) Tribulation - Children of the Night (Century Media Records)
06) Ghost - Meliora (Loma Vista Recordings)
05) Leprous - The Congregation (InsideOut Music)
04) Enslaved - In Times (Nuclear Blast Records)
03) Zierler - ESC (Vanity Music)
02) Arcturus - Arcturian (Prophecy Productions)
01) Solefald - World Metal. Kosmopolis Sud (Indie Recordings) 


Top 10 Non-Metal Albums of 2015 **

10) Sammal - Myrskyvaroitus (Progressive Rock/Folk)
09) Julia Holter - Have You in My Wilderness (Dream Pop)
08) Grimes - Art Angels (Pop)
07) Grave Pleasures - Dreamcrash (Post-Punk/Goth)
06) Mew - +- (Progressive Pop/Rock)
05) Squarepusher - Damogen Furies (Electronic/IDM)
04) Purity Ring - Another Eternity (Pop)
03) John Carpenter - Lost Themes (Electronic)
02) Susanne Sundfør - Ten Love Songs (Synthpop)
01) Everything Everything - Get to Heaven (Progressive Pop/Rock) **

Honorable mentions:

Hot Chip - Why Make Sense? (Electronic/Synthpop)
Zombi - Shape Shift (Electronic)
Steven Wilson - Hand Cannot Erase (Progressive Rock)
Django Django - Born Under Saturn (Progressive/Indie Rock)
Carpenter Brut - Trilogy (Compilation) (Synthwave/Electronic)
Braids - Deep in the Iris (Indie Rock)
Knife City - Star Versus (EP) (8-Bit/Chiptune)

A little addendum on my non-metal choices. Of course my auditory leisure time generally circulates around the realms of metal, but these albums reflect part of my interests outside of those realms, and as you may have noticed this year supported a wealth of wonderful pop albums with scarcer electronic music, rounded by a selection of rock albums of varying style and contour. Every album on this list is compulsive and I enjoyed them immensely, but I have to say the Everything Everything album earned its plaudits by far, a record I listened to more than any other album, in any genre. That may be partially because the songs are fairly short, but I also found myself in entranced with the Brits' ability energize with song after song, amazing falsetto vocals, synthesizers and other electronic influences popping in - just fantastic. I cannot recommend it enough, even though it has some minor flaws. But the Susanne Sundfor record comes close, despite the simplicity of the compositions. The John Carpenter album of 'lost' film scores is also extremely noteworthy, and should come as no surprise for someone who adores the man's backlog of 80's horror flicks. The oddest ball of the bunch is arguably the Sammal record, which not only restored my faith in modern prog rock outfits but strengthens Finland's hand as one of leading conduits of 60's-70's worship. Points for Svart Records (which also released the new Seremonia album this year).


And Now... Listmania: A List of Lists * 



Of course during the course of over 4 years of blogging here, I've kept tabs on MANY blogs, and I've always had an inexplicable sympathy for fellow bloggers and reviewers alike. This year has been no exception. Therefore I've decided to make a compilation of all the notable year-end lists I could muster, since the idea is to make the music as widely known and accessible to people as possible. Granted, I may have my own little grudges about these lists, but rest assured it's nothing personal, in fact differentiation between choices is always welcome, so long as the list isn't a big, fat, cock-swallowing ape of Pitchfork's Top 10 albums of 2015. What follows is a comprehensive list of all the year-end lists I could find, although obviously with that excuse the curious reader is also encouraged to read through the other articles and reviews in the respective blogs. Some of the blogs I've linked can also be found on my blog roll column.

Autothrall's Execution Through Listification: The 2015 Edition -- The best of the best. His lists amaze me for their depth, range and also for the sheer fact that I tend to enjoy almost every record in the top 20-25 unanimously. There's also a very extensive bonus section comprised of top-lists for books, non-metal and various games. Simply mandatory for metal music nerds.

The AMG Staff Picks the Top Ten Records o’ 2015: There’s No Accounting for Anything Anymore -- I love AMG's brash, in-your-face attitude when it comes to reviewing, and I certainly feel most of the time that their high scores are justified, plus they seem to be seated in some kind of independent twilight zone between the 'poorer' bloggers such as myself and the more mainstream milieu of music reviewers, in their own social commune which is just awesome. The end of the year lists are always great and exuberant, with so many different staff members with different tastes. Be sure to check out the individual lists as well.

Skull Fracturing Metal's Top 30 of 2015 -- Perhaps a bit too high on modern power and traditional heavy metal but SFM has nonetheless been one of the very first blogs I've been acquainted with since my initiation and consequently I can't help but promote this list.

Listmania 2015 (No Clean Singing) -- These guys have a freaking open sale of awesome lists every year, from so many different users and with different labels that I can hardly keep track of all them. This is just a link to one of those individual lists, be sure them to give them all a decent look.

Arson Cafe: 2015 Dispirit -- Just a very well composed list that endures no truncation, leading up to 100 entries, all listed hierarchically. All sorts of meritorious extreme metal can be found here, as well some more modern metal records that should accord well with you if you have experimental tastes.

The 2015 End-of-Year List (Heavy Metal Spotlight) -- Just seeing the Slugdge album at #20 makes me happy. I dunno, man, it just does. Plus range and diversity run fairly wide with this list, An opportunistic mash of death, black, doom and traditional heavy with a good focus on the more 'old school' side of things.

Best Albums of 2015 (Metantoine's Magickal Realm) -- Basically your go-to blogspot (along with Slugdelord) when it comes to DOOM. All sorts of great, obscure, retro-related rock and metal here, and the list is pretty sweet to top it off. So much of a 70's stoner reprise in this blog that it practically begs a joint while you're browsing for music.

piotrekmax: Best metal albums of 2015 (Sputnik Music)


Finally, you can seek here an even larger compilation of RYM lists, if that's your thing, a great, long shelf of worthwhile lists with actual descriptive commentary and out of the ordinary pickings. That rounds the end-of-the-year craze for 2015. You have no excuse not to check out at least a few of these works. Now is a time for rest, which I believe I've earned, shortly before I get on the 2016 bandwagon. Praise Cthulhu and stay metal, my friends.