It’s nice to see so many bands embracing the sluggish characteristics of old school death metal, but let’s be honest; too many bands trying to re-activate the genre’s apathetic, droning and ponderous elements by simply rehashing the instrumental aspects of Asphyx, Rottrevore, Autopsy and the like, which is admittedly nothing more than simply a monotonous version of the brutal emphasis of crunches and chugs of death metal; a poorly innovated brand to excel in. And as although I’m not scoffing at these death/doom trends, there is simply no room for the evil, bleak aura to consume and desolation to utterly aggravate the listener’s emotions, so frankly the focus of the true evil, monotonous atmosphere captured by the mighty ‘’d’’ and Winter is something we death/doom fans are devoid of. Australian act Devil Ancestry fabricate four compositions of lugubrious queerness ranging at only eight minutes in order to capture that sound which is redolent an utterly alien din of bizarre ghastliness, reeking of befouled and molested cadavers.
The main reason this act seemed so appealing to me is that their compositions are not pungent or fleshy, and such a perfect, brief demo that emphasises on nothing but the drudging ooze of the rotten, dismal sludge that it belches is certainly not something you often hear in today’s scene. In fact even the scene in the 90’s did not support such dissonant and grotesque calamities, and the closest thing I can relate this is the black/doom outfit, Mordor, a short lived group, yet incredibly disturbing and evil, calling fourth a monstrous aura upon the field. Devil Ancestry does not take on all the traits of Mordor, because some of its attributes incline towards Demilich, as the Finnish legends also had a penchant for delivering swerving pageantry, completely alien, and yet our Australian newborn does not entirely resemble Demilich either, taking on simpler chugs and queer chord progressions, dispersed and underpinned by the hefty bumps of the base.
‘’The Rib Of Adam Created Shit’’ is the demo’s starter. Once it commences the listener is indulged in a lethargic orgy of bowel transitions and all sorts of awkward quivers, and yet although it’s an alien experience from start to beginning, it’s obvious that the band does not try to pen compositions that are arduous or convoluted. The diverse spectrum of the music is actually maintained with interesting tactics. The band does not travel underneath cavernous and subterranean monoliths the whole time, but rises to the surface every now and then during its concise lifespan, and simply utters out almost indecipherable low growls whilst keeping the field dissonant and deceptive by continuously harassing the listener with discordant beats and volatile guitar thrills, simply enchanting as they rot. The final track ‘’Curious Potion’’ goes on for two and a half minutes, serving some spikier death/doom chords, all occasionally backed up by synthesizers. The guitar tone is not spiking, nor is it crunchy, but it does not fail to crush the listener while swaggering ponderously. In all its dismal, brooding and bowel-shaking sense, ‘’At The Seat Of Evil Ecstasy’’ is an intriguing listen, albeit the band doesn’t reinvent the wheel here. The demo was shamefully short, and it leaves waiting for the release of and Ep or full-length. A recommended experience for those who enjoy the dissonance of blackened death/doom.
The Rib Of Adam Created Shit