Natur rehash a somewhat less preferred side
of traditional heavy metal, simply projecting the dry, semi-rambunctious
aesthetics of the olden gods Maiden, Priest, Raven, Tygers of Pan-Tang, and so
on. I suppose compared to the retro, almost modern sounding streams of
traditional heavy metal bands this is a trend that strikes less often, though
personally, I’ve never thought of the NWOBHM as genre that should be rehashed
directly infatuating with its traits, but rather a strong sauce to decorate
other gimmicks of influences with. Natur know the basics of the formula, and
their fervour for old school metal is also a notable aspect, but eschewing
anything innovative or not being able to opt from many choices will not get
them much far. I like this, but it simply cannot surpass the boundaries of
originality.
The main problem about Natur is that the
music they produce is somewhat empty and dry. Somehow, they’ve perfected the
classic chug-laden gallops, and the strict manner of riffs, with nice bluesy
solos flying here and there, but the in-depth segments of the formula are
amiss. Natur likes makes use of the improved amplification, swelling the tone
of the guitar to a notch chunkier than usual, which is good, because now the
riffs can characterize themselves by punctuating each not exuberantly, and
other than that, semi-melodious intervals also tend to take the listener of
sojourns of nostalgia, and thus, the drums play genuinely simple beats, but
they have an earthen feel to them which makes the nostalgic trip even more
evocative. These are all plus points for the band’s performance, but after a
single spin, the blandness of it will become almost palpable and perhaps the
blandest performance here are the vocals; the vocalist is obstinate to remain
at the same tone for almost the entire duration of the album, singing very
casually in a strict, almost stiff manner, and after some time their outshined
delivery begins to cause umbrage.
‘’Goblin Shark’’ and ‘’Decion’’ are my favourite
tracks here; they flaunt the classic image the entire album projects just as
well as any other song on the album, but they’ve got a reasonable and almost
quality essence, especially on the chorus section of ‘’Decion’’, where the
album arguably reaches its climax with a semi-epic, sing-along structure. The
band is probably much more potent than they show on this album, but for some reason
they’ve released merely a tidbit of what they can pen, leaving the inmost
essence of the album mostly empty, simple and predictable. It’s an enjoyable
album for only when you’re at a rigorous state, and while it still had its
ephemeral moments of glimmering quality, it didn’t make my blood run rapidly
through my veins and I seldom felt excitement. It’s 1980 all over again, sadly,
though, the majority of metal bands have thirty years on Natur, and the band
will need to step up their game by a huge pace if they ever want to catch up
after their efforts on ‘’Head Of Death’’.
Highlights:
Goblin Shark
Decion
The Messenger
Rating: 77%
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