I’ve always had a substantial amount of
respect for Sweden’s enveloping black metal scene, even though I’ve never quite
been into many bands besides Marduk. It’s a queer thing, because Sweden is
usually known for housing scores of depraved death metal bands—bands which
especially dislike the Norwegian black metal scene that started to get big in
the 90’s, and now, a whole new dose of fresh Swedish black metal hits me right
in the face with pummelling grooves, sublime savagery and a love for chaos.
Hellthrasher Productions is not the first label that would come to mind when
you say black metal, especially because almost all of their releases are pure,
old school drenched death metal, but somehow, a bile spurting black metal group
called Flagellated Seraph found their way into the label’s door. Yes, it’s
black metal, with strong death metal overtones, Flagellated Seraph forge a
blade sharp enough to cut through even the strictest of death metal fans, and
one blade that can definitely call a number of black metal blasphemers to the
banners.
‘’Beyond Salvation’’, the debut full-length
by these Swedish extremists, is rather enjoyable listen, mainly because its
level of accessibility is high and the music itself is more primal and demented
rather than raw, excluding raw, gritty black metal aspects and replacing them
with more voluptuous elements in order to add a subtle hint of melody, vivacity
and tinge of tremolo driven rambunctious pulchritude. ‘’Beyond Salvation’’ is
certainly not as teeth gritting as you’d expect it to be, but atmosphere is an
attribute that’s hugely embraced throughout. The majority of the riffs slow
stridently with immense intensity, showing hints of right hand guitar prowess,
and rather positive aura dominates the atmosphere. It’s a combination of
primitive black metal barbarity and the late coming atmospheric Norwegian black
wave, grouping together elements of both, with a propulsive touch of thrash
metal crust. Its accessibility is a tremendous element to throw in, spraying
light upon each and every riff, yet the textures and guitar tones are gritty,
cantankerous and laden with serrated sharp teeth.
There is a sort of negative part of the
coin, though, one that may cut the entertainment short for many. The album
consists of six songs, and with two of them being a depressive, drudgy laments,
there’s only thirty minutes of energy driven black metal viscera left for us to
enjoy. Nonetheless, it’s still not the shortest metal album in history, so
you’d better learn to enjoy it. Each song is rather extensive, but still
exceedingly fluent all the way, and each riff is a reasonable follow up to its
predecessor, continuing in the same diverse vein with only some nuances hinted
here and there. The verse and intro sections of all the songs are a rough mish
mash of black metal fury and musty death metal, but the chorus sections rise to
the climax of the atmosphere all the same. The vocals are the perfect harsh
rasps you need in your black metal, guttural, and sometimes even buried deep
within the plethora of crunchy riffs despite their sharp shrillness.
I think it’s safe to say that Flagellated
Seraph haven’t produced anything innovative here, but the music is an
absolutely terrific mixture of engrossing death metal textures and atmospheric
black metal aspects, chaotic, rough and dynamic. ‘’Beyond Salvation’’ puts many
black metal releases behind itself thanks to its refreshing features, and it’s
just another bonus point for Hellthrasher. I am pierced, shattered and mourning
at the same time.
Highlights:
He Who Bears The Mark
Beyond Salvation
Redeemer Of Nothingness
Rating: 86%
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