Spiraling through impious segments of corruption
and disharmony, England’s Gaunt present us three smothering tracks of raw and
primitive black metal. Gaunt’s immediate surge is absolutely sudden to all, as
the acolytes drill their way silently towards the light of the day, and in the
end, they are somehow triumphant from the unknown battle that was ongoing in
the underground, thus, their presence is finally illuminated. Bedecking the raw
and primal textures of gritty black metal with both atmospheric and noisy
touches, Gaunt spew out some of the finest black metal the year has offered
yet, and maintain their grip by impetuously pursue the listener without
flaunting or showing off any cleansed skills, but simply greet him/her with an
absolutely smothering barrage of abrasive spikes.
Gaunt are sometimes predictable, and
totally direct, angular, yet they’re sometimes awry and tangling, sending
fibrous waves of cunning black metal tremolos and razor sharp slashes within
the entire duration of the album, without exerting much effort in the process.
The riffs are the definition of raw, unpolished and croaky, but as much as they’re
vicious and ripping, they also possess an atmospheric touch, adding melancholy
to the savage outburst. To point out
direct influences would be wrong, because there’s a little bit of everything on
Gaunt’s debut demo, so the only thing appropriate to say is that the music will
certainly not seem alien to many resident black metallers, but rather
primitive, and even (I daresay) amateur-sounding, but then again the whole
point of its angular incursions is to give the listener a little taste of that.
The guitars are spread sparse, and for some queer reason, the drums and vocals
sound even sharper than the guitar tone.
Each song is a relevant follow-up to its
predecessor, each maintaining the perfect position between atmospheric and raw,
but with the whole demo going for a mere twelve minutes, intriguing links in
between songs are not likely to affect much. Oddly, Gaunt sounds rather organic
to me, which probably makes a huge difference and separates it from many other
acts, and their coarse jumble of rough riffs and crude patterns certainly impressed
me. I can just hope that the underground breeds more of Gaunt’s kind and shares
them with us. I devoutly hope so.
Highlights:
Under The Sun Of Torture
Ministry Of Reconstruction
The One In The Void
Rating: 84,5%
No comments:
Post a Comment